A Mugler Mystery: Part III

My previous post reviewed the styles, colours and power dynamics of women’s fashion during the 1990s using The Dress Detective (note 1). This third and final blog post uses the contextual information gathered about the aqua blue Thierry Mugler skirt suit to consider clothing as a method of communication. More specifically, I ask: who would…

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A Mugler Mystery: Part I

Inspired by his background in theatre and dance, Mugler is known for his futuristic and whimsical designs born out of his wildest fantasies. This series of three blog posts will consider the construction of an acqua blue skirt suit by Thierry Mugler and analyze related contextual information of the 1990s in order to explore the idea of clothing as a symbol of power and method of communication.

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Julian Rose, the Forgotten Dressmaker

by Guest Author Anya Georgijevic In the 1950s, during the post World War II opulence, the expansive silhouette of crinoline skirts came back  into fashion, especially for evening gowns. As is well documented, leading couturiers like Christian Dior and Hubert de Givenchy embraced this bell-shaped silhouette for both day and evening wear. Ready-to-wear designers followed this…

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An Ode to Claire McCardell in the object-based analysis of a Red Cotton Dress

By Jenn Bilczuk In the 1940’s, Paris was under occupation and designers elsewhere were cut off from their Parisian inspirations. To prevent the demise of the industry, American designers were thrust into a position of fashion authority that had been previously denied to them (Buckland). Key influencers, like Vogue and Harper’s Bazaar, fueled by economic nationalism…

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