The halls of Kerr Hall West have been quiet over the summer. And yet, behind the closed doors of the FRC, there has been a hub of activity. I have been doing inventory and updating the catalogue, processing donations, fielding loan requests and research questions from around the world.
In part that level of interest in the collection can be attributed to the release of The Dress Detective: A Practical Guide to Object-based Research in Fashion in November 2015. This book, which I co-wrote with Alexandra Kim, highlights some of the many treasures in the Fashion Research Collection at Ryerson and also includes a checklist-based approach to object-based research in fashion. Sold round the world and on the shelves of several prominent European museums including the V&A Museum in London as well as the Rijksmuseum in Amsterdam, this book has transformed Ryerson’s little-known collection of dress artifacts into a place that international scholars want to visit.
This summer I welcomed scholars from as far away as Australia and the United Kingdom who come to study objects in the collection. I also fielded research inquiries from the USA, Japan, UK, and Australia. There is no doubt that the FRC is a hidden jewel within Ryerson.
A memorable event for me was the visit of artist and prof Dr. Sarah Casey from the United Kingdom. Sarah has drawn artifacts from the collections of Kensington Palace and also at the Bowes Museum in the UK. She uses these drawings as a way of expressing ideas of temporality. After reading The Dress Detective and finding an affinity for the “Slow Approach to Seeing”, Sarah came across the pond for a visit – not once, but twice this summer. She drew a variety of artifacts from the collection, including gloves, bonnets, 19th century undergarments, and an exquisite 19th century two-piece gown.
What all these pieces shared in common was that they had been somewhat forgotten – not often requested or considered “important” as artifacts. Sarah drew these pieces and time will tell how she transforms lines on paper into something else altogether. This collaboration brought me back to my roots – as an artist – and reminded me that creativity is part of who I am and what has led me to this place. I have rekindled my drawing practice with a curator’s sketchbook and have resumed drawing as a meditation and as a research tool.
It is a pleasure and privilege to be able to share the many wondrous objects in the FRC with students, faculty and visiting scholars.
What is your area of research? Have you thought of visiting the FRC?