A Handbag’s Tale

Editor’s Introduction: This post was a creative project by MA Fashion student Anna Pollice for a special topics class called “Fashion Beyond the Clothed Body” with Dr. Esther Berry. In this post, Anna writes the narrative of an object biography from the point of view of a handbag (and her imaginary owner Eleanor). This handbag…

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Sustainability: The Kimono and The Haori

by Jennifer Dares and Cecilia Martins Gomes, MA Fashion Students  The word kimono means “thing to wear” in Japanese; the original word is kirumono (Steele 2005; Milhaupt 2014; ). This paper seeks to analyze what aspects of kimono are sustainable. To answer that question two styles of kimono from the Ryerson Fashion Research Collection were…

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Sustainability and a Paper Jumpsuit

By Emilie Chan and Zoe Yin, MA Fashion Students   This woman’s one-piece jumpsuit from the Ryerson Fashion Research Collection is made from a paper textile with repetitive printed patterns in highly contrasting colour combinations—pink, orange, yellow, and green (FRC2014.07.001AB). This jumpsuit is structured with a zipper back, long sleeves, wide legs that flare out from…

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Julian Rose, the Forgotten Dressmaker

by Guest Author Anya Georgijevic In the 1950s, during the post World War II opulence, the expansive silhouette of crinoline skirts came back  into fashion, especially for evening gowns. As is well documented, leading couturiers like Christian Dior and Hubert de Givenchy embraced this bell-shaped silhouette for both day and evening wear. Ready-to-wear designers followed this…

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The Journey of a Chinese Robe: Part 4

In ancient Chinese culture, a robe is a symbol of status depending on the colour, the quality and decorative elements of the garment. In order to compare the robe in the Ryerson Fashion Research Collection (FRC2016.01.001) to others in other collections,  dress historian and curator, Ingrid Mida and I visited the Textile Museum of Canada to…

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The Journey of a Chinese Robe: Part 3

Everywhere we look, symbols abound. In historic dress originating from the Chinese culture, symbols on a robe can be read like words on a page. In this post, I will continue my analysis of the robe that has been the focus on the last two blog posts (FRC2016.01.001).  In this part, I will dive deeper…

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The Journey of a Chinese Robe: Part 2

In Part I of the series, I reviewed the history of Philip Brunelleschi Cousland, the original owner of the robe (FRC2016.01.001 shown in the photo below). In this part, I will consider the structural and decorative elements of the garment using the Observation checklist from the Dress Detective (note 1). With a lining made of…

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